God’s Song by Song of God

FULL INDEX - COMPLETE LIST OF CHAPTERS:
Synopsis and Starting Chapter
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Chapter 71
Chapter 72
Chapter 73
Chapter 74
Chapter 75
Chapter 76
Chapter 77
Chapter 78
Chapter 79
Chapter 80
Chapter 81
Chapter 82
Chapter 83
Chapter 84
Chapter 85
Chapter 86
Chapter 87
Chapter 88
Chapter 89
Chapter 90
Chapter 91
Chapter 92
Chapter 93
Chapter 94
Chapter 95
Chapter 96
Chapter 97
Chapter 98
Chapter 99
Chapter 100
Chapter 101
Chapter 102
Chapter 103
Chapter 104
Chapter 105
Chapter 106
Chapter 107
Chapter 108
Chapter 109
Chapter 110
Chapter 111
Chapter 112
Chapter 113
Chapter 114
Chapter 115
Chapter 116
Chapter 117
Chapter 118
Chapter 119
Chapter 120
Chapter 121
Chapter 122
Chapter 123
Chapter 124
Chapter 125
Chapter 126
Chapter 127
Chapter 128
Chapter 129
Chapter 130
Chapter 131
Chapter 132
Chapter 133
Chapter 134
Chapter 135
Chapter 136
Chapter 137
Chapter 138
Chapter 139
Chapter 140
Chapter 141
Chapter 142
Chapter 143
Chapter 144
Chapter 145
Chapter 146
Chapter 147
Chapter 148
Chapter 149
Chapter 150
Chapter 151
Chapter 152
Chapter 153
Chapter 154
Chapter 155
Chapter 156
Chapter 157
Chapter 158
Chapter 159
Chapter 160
Chapter 161
Chapter 162
Chapter 163
Chapter 164
Chapter 165
Chapter 166
Chapter 167
Chapter 168
Chapter 169
Chapter 170
Chapter 171
Chapter 172
Chapter 173
Chapter 174
Chapter 175
Chapter 176
Chapter 177
Chapter 178
Chapter 179
Chapter 180
Chapter 181
Chapter 182
Chapter 183
Chapter 184
Chapter 185
Chapter 186
Chapter 187
Chapter 188
Chapter 189
Chapter 190
Chapter 191
Chapter 192
Chapter 193
Chapter 194
Chapter 195
Chapter 196
Chapter 197
Chapter 198
Chapter 199
Chapter 200
Chapter 201
Chapter 202
Chapter 203
Chapter 204
Chapter 205
Chapter 206
Chapter 207
Chapter 208
Chapter 209
Chapter 210
Chapter 211
Chapter 212
Chapter 213
Chapter 214
Chapter 215
Chapter 216
Chapter 217
Chapter 218
Chapter 219
Chapter 220
Chapter 221
Chapter 222
Chapter 223
Chapter 224
Chapter 225
Chapter 226
Chapter 227
Chapter 228
Chapter 229
Chapter 230
Chapter 231
Chapter 232
Chapter 233
Chapter 234
Chapter 235
Chapter 236
Chapter 237
Chapter 238
Chapter 239
Chapter 240
Chapter 241
Chapter 242
Chapter 243
Chapter 244
Chapter 245
Chapter 246
Chapter 247
Chapter 248
Chapter 249
Chapter 250
Chapter 251
Chapter 252
Chapter 253
Chapter 254
Chapter 255
Chapter 256
Chapter 257
Chapter 258
Chapter 259
Chapter 260
Chapter 261
Chapter 262
Chapter 263
Chapter 264
Chapter 265
Chapter 266
Chapter 267
Chapter 268
Chapter 269
Chapter 270
Chapter 271
Chapter 272
Chapter 273
Chapter 274
Chapter 275
Chapter 276
Chapter 277
Chapter 278
Chapter 279
Chapter 280
Chapter 281
Epilogue
Categories Genre: All, Comedy, Completed, Drama, Romance, Slice of Life Status: Completed Tags Authors: ,

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Total Chapters in book: 283
Estimated words: 482630 (not accurate)
Estimated Reading Time in minutes: 2413(@200wpm)___ 1931(@250wpm)___ 1609(@300wpm)
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LIST OF LAST 10 CHAPTERS:
Page No. 283
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Page No. 280
Page No. 279
Page No. 278
Page No. 277
Page No. 276
Page No. 275
Page No. 274
Page No. 273
Chapter 185

Volume 5 / Chapter 185

TL: LightNovelCafe

**

This is different from how the Queen Elisabeth Competition is progressed in reality. This was created by the writer in interest of the story.

In October, submissions for the composition section of the Queen Elisabeth Competition began.

12 judges gathered in one place to go over 100 pieces that flew in from over 30 countries.

54 year old judge Marion Cotillard is the standing conductor of the Berlin Deutsche Symphony Orchestra. She was given the ‘Nobel Prize of contemporary music,’ the Grawemeyer, for a 30 minute cello concerto that she composed especially to perform with a movie to allow the audience to interact with music and film.

Most of the competition entries are contemporary music, so the judges were configured appropriately. They investigated their past statements and actions to rule out anyone who venerates the classics while disparaging contemporary music. It is to eliminate the concern that they may not be able to evaluate the value of the music due to prejudice.

“Alright. I’m sure everyone knows, but I’ll say it again in case. There will be experimental and avant garde music. But we need to keep in mind that we are evaluating music. We cannot choose a winner just because the song is novel. A score that we look at and want to hear the music for! This is the best criteria for judging.”

The judging began with Committee head Marion Cotillard’s greeting words.

The judges split into groups of 3 people and begin the trial. The trial is held so that if all 3 people are in agreement, the piece is eliminated.

Songs that clear the trial go back to primary screening. In the primary screening, all 12 judges go over each song and must choose between pass and fail. The pieces are ordered in the number of passes they receive, and they choose the top 12 to go into the finals.

The judges discuss each song and decide on 1st, 2nd, and 3rd places with the last standing pieces.

The majority of entries are short songs of 10 to 30 minutes. There are songs that are entirely ‘experimental’ and there are songs that squeeze ‘emotion’ out. Pieces that only seek novelty were filtered out by the 3 judges.

3 judges had their last and most curious piece in front of them, and scoffed.

“‘Choral’… It can’t be what we’re thinking of, right?”

“So there are people who compose such large works these days.”

Looking at the thickness of the score alone, they could tell that it is a symphony and would take over 1 hour to perform.

“I just hope it’s not a song that’s been stretched out by unnecessarily repeating a thematic progression.”

Notes filling up the score. And there were so many instruments organized within it that it was hard to see the flow of the song in one run through. They needed to look over this one song with as much time as they had taken to look at over 10 songs.

The 3 judges took almost 3 hours to look over the score and only sat in silence. They did not say anything in evaluation during the trial. It is only a place to state whether or not it will be eliminated. If all 3 decided to eliminate it, not even Mozart could refute.

The judges need to be particularly careful because they do not know who the composers of the entries are.

“Well. How do we interpret this…..”

“Criticism isn’t our responsibility. We need to do that in the finals. All we need to do now is make a decision.”

When 1 judge spoke up, the other 2 shut their mouths.

“Then shall we make a decision?”

The 2 people lightly nodded their heads.

“Will you tell me? Does this song need to go up to finals?”

“Oxi (No).”

“Nai (Yes).”

Nai and oxi is Greek and used in official matters to contribute opinion. It is used commonly in the west and is used when the U.S. Congress passes bills.

“So it’s one vote each. Then my opinion doesn’t matter. I’ll put it up to finals.”

“Why don’t you tell us your opinion anyway?”

“I’m Nai.”

Jun Hyuk’s song received 2 votes in favor and went up to finals.

20 out of over 100 songs made it to the finals, so the competition is 5:1. There are less works that made it to the finals than in previous years. There are normally about 30, but it has been reduced by more than 10.

This means that either there were a lot of submissions that did not meet standards, or that the judges’ standards had gone up.

The judges gathered for the final evaluation and started talking about the preliminary.

“There seems to be something influencing young composers, doesn’t it? Inferno?”

“Is that so? I found a few in the entries I saw as well.”

“The attempt to touch on physical sensations as is done in Inferno is good, but it’s not something that anyone can do. Why don’t they know that putting one delicate sound out of place will reduce it to nothing but noise?”

“They must know. They just don’t have the ability to express it.”

“Is that why there are fewer entries that have come up to the finals?”

“Pretty much. Looking at objective numbers, we could say that at least 10 entries were trying to copy Inferno.”

Then, the committee head said something meaningful,

“What would the results have been if Inferno had been an entry in this competition?”

The judges could not answer this sudden question easily. They were all busy recalling the first time they heard the album.

“Anyone who could read the score without stopping would have thrown it to the side, saying that it is noise. Anyone who could appreciate it wouldn’t have been able to read the score properly. Then would it be eliminated or would it win?”

There were people who had turned red. There are those who still think that Inferno is nothing but noise. But no one confessed to this.

“We might have eliminated a song like Inferno today. There’s nothing we can do about it. We’re average people who might not be able to recognize a piece by a young composer who is better than we are. But let’s be that much more careful with the final assessment so as not to make the same mistake twice.”

After committee head Marion Cotillard spoke, the preliminary portion was completed. They would have to gather the next morning and choose 12 out of 20 entries.

The next morning, the 12 judges talked over coffee and prepared for the final evaluation that would soon be starting. They spoke about each entry, but everyone could tell that they were saving their words.

It was obvious that they were avoiding any misunderstanding that could arise from something they say.

With the committee head’s light greeting as a start, the final evaluation commenced with everyone picking up a score. They looked over the 20 pieces again in silence.

Unlike previous years, time passed quickly and progress was slow. Everyone was preoccupied looking at one tremendous score that they did not realize time was passing.

When the 12 judges were done assessing the 20 pieces, it was already dark outside.

“Alright. Then shall we see the results?”

The committee head received the committee’s sheet and announced the order of pieces by the passes they received. Of the 20 songs, only 3 had received 12 passes. All of the judges had given them passes.

“Registration number 67. Title Concerto for Violin and Piano in D Minor, ‘Choral’… 7 votes. It is in 8th place.”

She looked up from the sheet and spoke,

“The other works can all be said to be expressions of contemporary music, but this one is classical. I’ll just call it ‘Choral Concerto’ from now on.”

The committee head continued tallying the results.

“So we will decide on the top 11 works. Are there any objections?”

Everyone shook their heads to indicate that they accept the results.

“Then tell us about the two songs that are both in 12th place with 3 votes each. We need to drop one.”

No one jumped in to speak. 3 votes. It is an ambiguous number. It is too high to say that someone forced themself to vote, but too low in quality to expect it to go in competition.

The best method in this situation is to look for reasons to pass it rather than to drop it. One of the judges worked up the courage and used this method.

“I’ll tell you what I think. First, I’d like to reveal that I marked pass for both of the pieces. And I think that both are great. If asked to choose one however, I will choose ‘Spiral’.”

Once someone spoke up, it became much easier to share their opinions. Another judge’s evaluation was added on.

“It’s a sound that is well expressed to stimulate visual images. I think that it’s a great attempt to liken the dizziness and dual structure that Spiral’s image gives to human emotion.”

They all agreed with the evaluation of the song. If they need to choose one of the two songs, the weight tipped to ‘Spiral’ and there was no opposing opinion.

Anyway, being tied for 12th place means that they are not awarded. It just means that there is a slight extension.

No one spoke after the two people gave their opinions. The committee head looked around at everyone’s expressions for a moment and made the last decision.

“Since no one has any opposition, I will assume that everyone is in agreement. The last song for finals is ‘Spiral’.”

The 12 final songs had been chosen. From now on, the true judging will begin.

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<<<<166176184185186187188196206>283
Total Chapters in book: 283
Estimated words: 482630 (not accurate)
Estimated Reading Time in minutes: 2413(@200wpm)___ 1931(@250wpm)___ 1609(@300wpm)
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