God’s Song by Song of God

FULL INDEX - COMPLETE LIST OF CHAPTERS:
Synopsis and Starting Chapter
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Chapter 71
Chapter 72
Chapter 73
Chapter 74
Chapter 75
Chapter 76
Chapter 77
Chapter 78
Chapter 79
Chapter 80
Chapter 81
Chapter 82
Chapter 83
Chapter 84
Chapter 85
Chapter 86
Chapter 87
Chapter 88
Chapter 89
Chapter 90
Chapter 91
Chapter 92
Chapter 93
Chapter 94
Chapter 95
Chapter 96
Chapter 97
Chapter 98
Chapter 99
Chapter 100
Chapter 101
Chapter 102
Chapter 103
Chapter 104
Chapter 105
Chapter 106
Chapter 107
Chapter 108
Chapter 109
Chapter 110
Chapter 111
Chapter 112
Chapter 113
Chapter 114
Chapter 115
Chapter 116
Chapter 117
Chapter 118
Chapter 119
Chapter 120
Chapter 121
Chapter 122
Chapter 123
Chapter 124
Chapter 125
Chapter 126
Chapter 127
Chapter 128
Chapter 129
Chapter 130
Chapter 131
Chapter 132
Chapter 133
Chapter 134
Chapter 135
Chapter 136
Chapter 137
Chapter 138
Chapter 139
Chapter 140
Chapter 141
Chapter 142
Chapter 143
Chapter 144
Chapter 145
Chapter 146
Chapter 147
Chapter 148
Chapter 149
Chapter 150
Chapter 151
Chapter 152
Chapter 153
Chapter 154
Chapter 155
Chapter 156
Chapter 157
Chapter 158
Chapter 159
Chapter 160
Chapter 161
Chapter 162
Chapter 163
Chapter 164
Chapter 165
Chapter 166
Chapter 167
Chapter 168
Chapter 169
Chapter 170
Chapter 171
Chapter 172
Chapter 173
Chapter 174
Chapter 175
Chapter 176
Chapter 177
Chapter 178
Chapter 179
Chapter 180
Chapter 181
Chapter 182
Chapter 183
Chapter 184
Chapter 185
Chapter 186
Chapter 187
Chapter 188
Chapter 189
Chapter 190
Chapter 191
Chapter 192
Chapter 193
Chapter 194
Chapter 195
Chapter 196
Chapter 197
Chapter 198
Chapter 199
Chapter 200
Chapter 201
Chapter 202
Chapter 203
Chapter 204
Chapter 205
Chapter 206
Chapter 207
Chapter 208
Chapter 209
Chapter 210
Chapter 211
Chapter 212
Chapter 213
Chapter 214
Chapter 215
Chapter 216
Chapter 217
Chapter 218
Chapter 219
Chapter 220
Chapter 221
Chapter 222
Chapter 223
Chapter 224
Chapter 225
Chapter 226
Chapter 227
Chapter 228
Chapter 229
Chapter 230
Chapter 231
Chapter 232
Chapter 233
Chapter 234
Chapter 235
Chapter 236
Chapter 237
Chapter 238
Chapter 239
Chapter 240
Chapter 241
Chapter 242
Chapter 243
Chapter 244
Chapter 245
Chapter 246
Chapter 247
Chapter 248
Chapter 249
Chapter 250
Chapter 251
Chapter 252
Chapter 253
Chapter 254
Chapter 255
Chapter 256
Chapter 257
Chapter 258
Chapter 259
Chapter 260
Chapter 261
Chapter 262
Chapter 263
Chapter 264
Chapter 265
Chapter 266
Chapter 267
Chapter 268
Chapter 269
Chapter 270
Chapter 271
Chapter 272
Chapter 273
Chapter 274
Chapter 275
Chapter 276
Chapter 277
Chapter 278
Chapter 279
Chapter 280
Chapter 281
Epilogue
Categories Genre: All, Comedy, Completed, Drama, Romance, Slice of Life Status: Completed Tags Authors: ,

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Total Chapters in book: 283
Estimated words: 482630 (not accurate)
Estimated Reading Time in minutes: 2413(@200wpm)___ 1931(@250wpm)___ 1609(@300wpm)
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LIST OF LAST 10 CHAPTERS:
Page No. 283
Page No. 282
Page No. 281
Page No. 280
Page No. 279
Page No. 278
Page No. 277
Page No. 276
Page No. 275
Page No. 274
Page No. 273
Chapter 191

Volume 5 / Chapter 191

TL: LightNovelCafe

***

“I don’t think that Jun composed this choral concerto.”

Pierre Boulez spoke in affirmation. The orchestra members’ eyes grew wide when they heard the maestro say something negative about the composer.

“I’m sure that the modern day Beethoven wrote this choral concerto.”

“Modern day Beethoven?”

The bandmaster repeated it, asking for an exact meaning.

“Yes. If Beethoven had been born now with the same musicality, how would Beethoven of the past be different from Beethoven now? Body? Health? Personality? Fortune? I’m sure there’s nothing that could be guaranteed.”

Pierre Boulez looked at the orchestra and portrayed Beethoven as if he were in front of him.

“I think that the one thing that we can be sure of is the difference in thinking. He would have had a much more diverse amount of thoughts and the depth of his knowledge would have been different. He would have had many different cultural experiences, not just those limited to Europe. But the kind of music that he sought out wouldn’t have changed.”

He listed the differences as though he were comparing and analyzing two Beethovens standing in front of him.

“Which means, a Beethoven with a bit more complex thought. Due to this, don’t you think that he would have changed the Choral Symphony of the past to the Choral Concerto now with a free expression?”

His conclusion is that of a free Beethoven instead of a strict one.

“The focus of the performance is that it is more grand and free-spirited, but still retaining the elegance of Beethoven.”

The two maestros’ demands were not complete opposites, but they were not adjacent to each other either. The orchestra thought that they would have a good time preparing for the finals with these two maestros.

***

“Maestro, won’t the orchestra members be confused? Their expressions these days during rehearsals is weird. It kind of looks like they’re laughing but it also looks like they’re frowning.”

“Ha ha. It’s okay. Our Belgium National Orchestra is a pretty good instrument. They can bring out a conductor’s request well. It’s just because they’re not in the habit yet. Give them 2 weeks and they’ll be performing both versions as if it’s nothing.”

Jun Hyuk enjoyed conducting. It is not like with Inferno when it was as though he was forcing a building while looking at impossible plans. Now, he has a perfect building plan and is piling the bricks to steadily create a magnificent cathedral. There is fun in seeing the cathedral take shape step by step.

While Jun Hyuk was enjoying conducting, the orchestra members were full of regret. They had heard the rumors. They heard that he showed the Boston Philharmonic a mysterious side of him full of brilliant ideas and music.

The Jun Hyuk they see however is like every other conductor, and they cannot find anything new in him. The orchestra members even joked around saying that he might be a magician who already used all of his powers.

When they started to get used to the two versions of Choral Concerto, the jokes starting to change. Jun Hyuk went from a magician who used all of his power to the Grim Reaper. Instead of a scythe, he is holding a baton.

He does not miss a single mistake with his scary listening skills, and does not hesitate to make them play repeatedly until the feeling and sound that he wants comes out. When he was realizing that the Belgium National Orchestra is not at the level to reach his aim, Pierre Boulez was changing.

The relaxed state he had shown until now had disappeared. They started tightening their grips on the orchestra as though two conductors in competition even though their methods were carried out in completely different languages.

***

“Tempo! Faster. Marcato! Break up each sound by the bow’s movement and string them together. This part isn’t a long pass. You’re making short passes up to the front of the goal. Don’t forget this feeling. Again!”

***

“Calando! (making the tempo and strength slower and weaker) Smoother. Make the feelings continue as though they might be disconnected. The intellectual pleasure Beethoven feels as he keeps learning new culture. That pleasure is continued endlessly. Again!”

***

“Fortissimo! Bring out a more vehement sound. The audience already shows a crazy reaction with the first drum sounds of a rock band. The timpani needs to be to a point where it is hitting the audience’s hearts. As soon as the timpani sound rings out, the brass instruments need to follow and hit the audience’s ears.”

***

“Voce Piena! (full of sound) You cannot lose dignity. It is not the sound of the timpani ringing through the audience, but as though it is a wave from the back of the audience. You cannot lose the elegance for even a moment. We cannot say that Beethoven’s tenacity is very good, but his music is elegance itself.”

***

“Don’t think about the piano or violin ensembles. I’ll control them. You should all just follow the baton. The soloists need to be pulled in by our storm-like vehemence. I have absolutely no intention on bringing them along. Our performance needs to keep going with the thought that we’ll toss anyone who falls behind.”

***

“You need to think about the piano and violin ensembles as well. Their music becomes a part of us starting in the 2nd movement. We need to wrap them, but it is a bit rough right now. Play more smoothly like a mother’s touch, carefully embracing her child.”

***

The members of the Belgium National Orchestra were about to go out of their minds because they were switching off every day to play completely opposite performances. It almost felt like they were going back and forth switching 2 buttons on and off. One is ‘vehemence’ and the other is ‘elegance’.

No one expressed their discontent though. An instrument only brings out the sound that the performer desires, no matter how the performer changes. They have pride that they are an already completed large luxurious instrument.

Their pride will come crashing down the moment they voice their complaints. The only time they can complain is when they meet a performer who cannot handle the orchestra as an instrument. The two people who are handling them now are two excellent conductors, maestros.

It was a bit later than Pierre Boulez had been expecting, but the orchestra became used to the switch in the new year, at the end of January. It was as though the two maestros were conducting separate orchestras.

“What do you think, Jun? Has the orchestra gotten used to your conducting?”

“Yes. I’m sure they’ve gotten used to you as well, Maestro.”

Pierre Boulez smiled in satisfaction. He had overheard the orchestra members saying that they could feel a clear distinction between a hot-blooded youth and a relaxed elderly.

Since it is his orchestra that has overcome this difference, he even felt proud of them.

“But Maestro, there is something I’m concerned about… Isn’t this a competition and not a concert? Do you think it’ll be okay when the judges need to evaluate the violin and piano finalists?”

“Isn’t that something those people need to do? There’s no reason for us to worry about it. And effort, skill, and talent are bound to show themselves in any environment. A person is qualified to be a judge if he can catch those moments.”

Pierre Boulez did not seem to be worrying too much about the competition. It even seemed like he was enjoying the situation.

“It’ll actually be a bit difficult to judge. I’m sure it’ll be part of the fun to watch the judges’ uncomfortable expressions. Ha ha.”

Belgium’s maestro seemed to be considering the competition as a concert.

“The problem is the finalists. Being paired with a conductor who fits their style will become a key component to winning.”

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<<<<172182190191192193194202212>283
Total Chapters in book: 283
Estimated words: 482630 (not accurate)
Estimated Reading Time in minutes: 2413(@200wpm)___ 1931(@250wpm)___ 1609(@300wpm)
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